Chicago style guide:
http://www.chicagomanualofstyle.org/tools_citationguide.html
MLA style guide:
https://owl.english.purdue.edu/owl/resource/747/01/
How some of your peers are using Rapport/Overing:
On Interpretation: I cited page 246 in explaining that by creating things, people are creating themselves and their world through their interpretations. Essentially, I considered this in regard to the way my artifact may not have been created for an event or circumstance, but rather as a response to the world around the creator.
On Tourism: I cited page 424 and the idea that different cultures don’t “rub off” on the people who come to visit, but rather the tourists shape the culture. To this end, I was interested in seeing the correlation between highly traveled tourist areas catering the materials produced to be more valuable to the tourists that would be purchasing these products. I wanted to know if my artifact wasn’t made to reflect the culture as it was experienced by those who live in China, or if it was made as an idealized version of the culture to be more appealing to consumers from foreign lands.
I talked about materiality, specifically materiality as consumption. This article is on page 283. This concept looks at how objects enter people’s lives. I think this concept can be applied to any of the final projects because it’s about the interaction between objects and people’s lives.
Books your class-mates have that you might want to look at:
Lilla S. Perry, Chinese Snuff Bottles (Abby)
Cornelius Osgood, Blue-and-White Chinese Porcelain: a study of form (Leslie)
Mary M. Dusenbury, ed. Color in Ancient and Medieval East Asia (Jacob)
Robert J. Shepherd and Larry Yu, Heritage Management, Tourism, and Governance in China: Managing the Past to Serve the Present (Jayne)
Nicholas O’ Shaughnessy, Selling Hitler: Propaganda and the Nazi Brand (Elena)
Denis Low. Chinese Snuff Bottles from the Sanctum of Enlightened Respect III (Sarah)
John Willard Barry, American Indian Pottery: an identification and value guide (Erin)
Deborah Solomon, American Mirror: The Life and Art of Norman Rockwell (Sophie)
Daphne Carnegy, Tin-glazed Earthenware: From Maiolica, Faience and Delftware to the contemporary (Emma)
Jessica Rawson, Mysteries of Ancient China: New Discoveries from the Early Dynasties (Haoyu)
Laura Claridge, Norman Rockwell: A Life (Devin)
Cyril Aldred, Jewels of the Pharaohs: Egyptian Jewelry of the Dynastic Period (Nasua)
Cora Sol Goldstein, Capturing the German Eye: American visual propaganda in occupied Germany (Annika)
Patricia Bjaaland Welch, Chinese arts: a guide to motifs and visual imagery (Elizabeth)
Marcus Fraser and Will Kwiatkowski, Ink and Gold: Islamic Calligraphy (Maggie)
Bibliographies for group presentations:
Blue and White Porcelain
Kerr, Rose, et al. Chinese Ceramics: Porcelain of the Qing Dynasty 1644-1911. V & A Publications, 1986.
Hay, Jonathan. “The Diachronics of Early Qing Visual and Material Culture.” The Qing Formation in World-Historical Time, edited by Lynn A. Struve, 1st ed., vol. 234, Harvard University Asia Center, Cambridge (Massachusetts); London, 2004, pp. 303–334. JSTOR, www.jstor.org/stable/j.ctt1tfj908.12.
Osgood, Cornelius. Blue-and-White Chinese Porcelain: a Study of Form. Ronald Press, 1956.
WEN-CHIN, HSU. “ILLUSTRATIONS OF ‘ROMANCE OF THE WESTERN CHAMBER’ ON CHINESE PORCELAINS: Iconography, Style, and Development.” Ars Orientalis, vol. 40, 2011, pp. 39–107. JSTOR, JSTOR, www.jstor.org/stable/23075932.https://www.jstor.org/stable/pdf/23075932.pdf
Wu, J, et al. “EDXRF Studies on Blue and White Chinese Jingdezhen Porcelain Samples from the Yuan, Ming and Qing Dynasties.” X-Ray Spectrometry, vol. 29, no. 3, 2000, pp. 239–244. Wiley Online Library, doi:10.1002/(sici)1097-4539(200005/06)29:3<239::aid-xrs423>3.0.co;2-v.
Turquoise in South-Western Native American Culture
Bennett, Edna Mae. “Turquoise and the Indian.” Denver: Sage Books, 1966. Print.
Danchevskaya, O.Y. “Turquoise in the Life of American Indians.” Images, Imaginations, and Beyond. Proceedings of the Eighth Native American Symposium. Oklahoma: Southeastern Oklahoma State University, 2010. P.144-149.
Dubin, Lois Sherr. “Veins of Turquoise: The Southwest.” North American Indian Jewelry and Adornment: from Prehistory to the Present, Abrams, 2003, pp. 459–545.
Harbottle, Garman and Phil C. Weigand. “Turquoise in Pre-Columbian America.” February, 1992, scientific America. P78-85.
Powell, Eric A. “The Turquoise Trail.” Archaeology, vol. 58, no. 1, Jan/Feb2005, pp. 24-29. EBSCOhost, search.ebscohost.com/login.aspx?direct=true&db=a9h&AN=15226436&site=ehost-live.
Production of Lamp Black ink and relation to religious texts
Blair, Sheila. Islamic Calligraphy. Edinburgh University Press Ltd, 2006.
Buell, Ryan W. and Norton, Michael I. “The Labor Illusion: How Operational Transparency Increases Perceived Value.” Management Science, vol. 57, no. 9, 2011, p. 1564-1579.
Hepworth, Thomas C. and Mitchell, Charles A. Inks: Their Composition and Manufacture. Charles Griffin and Company, 1904.
Levey, Martin. “Some Blacks in Early Mediaeval Jewish Literature..”Chymia, vol. 9, 1964, 27-31. Taragan, Hana. “The “Speaking” Inkwell from Khurasan: Object as “World” in Iranian Medieval Metalwork.”Muqarnas, vol. 22, 2005, 29-44.
Propaganda in Art
Goldstein, Cora Sol. 2009. Capturing the german eye: American visual propaganda in occupied germany. Chicago: University of Chicago Press.
James, Pearl. 2009;2010;. Picture this: World war I posters and visual culture. Lincoln: University of Nebraska Press.
Kaminski, Joseph Jon. 2015. World war I and propaganda poster art: Comparing the united states and german cases. Epiphany 7 (2): 64-81.
Kozloff, Max. “American painting during the Cold War.” Artforum 11, no. 9 (1973): 43-54.
Wistrich, Robert S., 1945-2015, and Luke Holland 1948. 1995. Weekend in munich: Art, propaganda, and terror in the third reich. London: Pavilion.
Art Museum catalog entries